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6.2 EDSR 07-21-2014
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6.2 EDSR 07-21-2014
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Concentrations of cultural The Crane Building in North Philadelphia is an example <br /> KEYPOINT#1: enterprises and creative of a facility-centric redevelopment for creative busi- <br /> Economic workers in a geographic nesses and artists.Originally built in 1905 as a plumb- <br /> development area provide a competitive ing warehouse,the building today houses Crane Arts <br /> is enhanced by edge,likely by elevating (www.cranearts.com),with four floors of artist studios <br /> concentrating the quality of life,improv- and suites and a variety of project spaces available <br /> creativity through ing a community's ability for community programs and cultural development. <br /> both physical to attract economic activ- Facilities include an art-restoration studio,a ceramics <br /> density and ity,and creating a climate studio,a multimedia studio,and a printmaking, paint- <br /> human capital. in which innovation can ing,and sculpting studio.One of the office suites is a <br /> flourish. cultural coworking space opened by Peregrine Arts <br /> (www.peregrinearts.org)for entrepreneurs,consul- <br /> Concentration of culture-sector firms and highly tants,artists,writers,visionaries,and anyone working <br /> skilled workers,along with related facilities and busi- in design, media, history,the arts,and cultural heritage. <br /> ness,enables partnerships and cooperative projects to The building has been successful enough that Crane <br /> develop.Concentration also facilitates the marketing Arts is considering opening another building.As an <br /> of skills and products.The physical density of creative economic development tool,the building is beneficial <br /> and cultural firms promotes the sector's prosperity, not only to the creative occupants but to adjacent <br /> which is in turn economically good for the local area communities and the design profession as a whole. For <br /> as a whole. example,during the recent economic recession,local <br /> architects with few or no incoming projects partici- <br /> Clusters of culturally oriented businesses and workers pated in a gallery exhibit at Crane Arts in an effort to <br /> can breed innovation and new specializations. Places "get back to the act of making things."'The exhibit was <br /> where innovation is prized are naturally attractive to an effective tool for marketing and design. <br /> innovators and conducive to creativity of all types,as <br /> the frequency of exchange promotes creative activity. In Tampa, Florida,a local developer designed and cre- <br /> Planners can develop projects that deliberately lo- ated the Sanctuary Lofts (www.sanctuarylofts.com) as <br /> cate creative professionals in a facility or area. Density an urban revitalization project to concentrate creativ- <br /> or concentration of creative facilities can occur on a ity and attract residents back to the downtown.The <br /> range of scales,from a single building to a streetscape, project began with an early 20th-century Greek Revival <br /> neighborhood,or district. church in the Tampa Heights historic district that <br /> was transformed into loft apartments with space for <br /> creative-studio rentals. Many of the existing materials <br /> were salvaged,including doors,windows, pews,and <br /> hymnal racks.Sanctuary Lofts now serves as workspace <br /> for painters,artists, photographers,designers,and ar- <br /> chitects.This unique living space can assist in facilitat- <br /> ing communication between creative organizations <br /> and the public and can create a stronger sense of iden- <br /> tity for community residents. <br /> AMERICAN PLANNING ASSOCIATION <br />
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