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Types of Public Art <br /> PERMANENT EPHEMERAL <br /> I- CC Z J CC CC CC W W 111 VI w <br /> Z_ CC U <br /> W F- > < f- I- < D w Z '. <br /> 2 v a CL v <br /> Q <br /> D <br /> Z ¢ -J <br /> m H D > Lu < <br /> Z U- cc <br /> O = n Jw 0 <br /> cc Q a LL <br /> Q <br /> CC ¢ W <br /> Z U- a 0- <br /> - 0 <br /> a <br /> Locations for Public Art <br /> PUBLIC PRIVATE <br /> > J < N -IJ I- 0 W <br /> Q < Q LU > 0 Z Z D <br /> WW CC ¢ CC > 0 0 0 W <br /> p F- V) n- N w V W J > <br /> VI 0 Y U- V1 CC m Q <br /> O <br /> a CC Z <br /> vV1 0 0 <br /> it P <br /> H <br /> Z Q <br /> I- <br /> I- <br /> .: Choosing Public Art <br /> Selecting art by committee has advantages and drawbacks.Art can be an iterative practice that benefits from <br /> the critiquing process in which outside opinions help the artist refine and improve her or his work.Without <br /> some oversight there is also the potential for art that is unsuitable for a community. <br /> Using a public art selection committee can protect the city as well as the integrity of the public art program <br /> provided the committee consists of well-informed members with a wide range of expertise and experience <br /> in public art.The committee should be made up of representatives from the public art groups,organizations <br /> working in the community, artists living and working in Elk River, Parks and Recreation Commission <br /> Ito members,and other stakeholders. <br /> Public Art Programs <br /> As communities grow their public art programs,it is better to move slowly and learn from experience than to <br /> take on too much to start.The intent of this plan is to provide the city with options for supporting public art <br /> and methods for developing public art at an appropriate speed. <br /> Appendix: Elk River Public Arts 90 <br />