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Report to EDA and City Counsel <br />On behalf of the jury panel, I’d like to thank you for giving us the opportunity to engage in <br />this exciting project. <br />All of theseartistsprovedskillfulandexperienced, and shared a keen desire to provide a <br />beautifulsculpture for people of Elk River. So the jurying process, while inspiring, was <br />not easy. We could envision all three piecesin place were conditions amenable to doing <br />so. Our decision, though, was unanimous, and we are ready to make a <br />recommendation to you. <br />The first artist we met with was Gita Ghei, a sculptor with a considerable number of <br />pieces installed in Minneapolis, including a Capitol Mall sculpture and another at the <br />Walker Sculpture Garden. She envisioned a sundial for the Rivers Edge Commons at <br />sidewalk level, not knowing that there was a fountain embedded in the very spot she <br />chose to place her piece. She was open to suggestion, both in terms of placement and <br />concept, but since the piece wasdesigned specifically for the river’s edge, it would not fit <br />so well at other locations. Because Rivers Edge Commons is being considered for <br />renovation, the panel decided not to recommend this project at this time. Perhaps as <br />renovations plans are finalized, such a piece might be considered for inclusion. <br />The team of Dan Wolbert, Myrna Orensten, Matt Eckholm, and Todd Finkappeared <br />before us next. Their piece includesa child and adult figure under a canopy at the edge <br />of an abstract rendering of a flowing river. Although the panel liked the concept, <br />unfortunately we had three reasons to dismiss this project. First, were budget issues. <br />They included no budgetin their proposals and when asked about details,gave us <br />assurances that they could complete the project but offered nospecific pricing details. <br />Furthermore they depended on heavy volunteer contributions of labor and required <br />ongoing City maintenance for watering and mowinglandscape components. Next, were <br />site matters. They chose the northeast corner of Highway 10 and Main Street. It would <br />have worked there quite well as an impressive welcome to the community—the <br />installation measured 30 by 50 feet. However, due to the Department of Transportation <br />plans for that spot, the sculpture would have to be removed relatively soon. Finally, <br />because we liked the concept of the proposal, we tried to determine an alternative site <br />for it, but could not identify an appropriate place. We determined, therefore, that we <br />could not recommend it to you. <br />We ultimatelychose the work by Carl Zachmann.Of the finalists, Carl's proposal for <br />outside the library was the most thorough in budget and timelines.He has a very good <br />understanding of his materials with which he has had much prior experience and <br />showed that the work would be done with the up most craftsmanship.He proposes a <br />kinetic sculpture placed near the library entrance. He provideda video of one of his <br />installationselsewhere. While it is on a smaller scale than his design for us, it gave us a <br />graphic understanding of howthis proposal will work. (show the video?) Zachman, an <br />professionalartist with a Masters of Science in Historical Archaeology, researchedElk <br />River’s earliest daysand the pieces and colors chosen allude to them.His design is <br />nearly maintenance free, requiring only a semi-annual check to determine all is well, and <br />assured us all parts are standard, can be gotten from him immediately,and can be <br />switched out in less than 30 minutesshould a need arise. He believes the piece will not <br />require maintenance for a very longtime, however. It can sustain winds of 40 miles per <br />hour and is as sturdy as farm windmills onopen prairies. The colors are applied using <br />